Poe, not a conventionally religious man, nevertheless recognized and drew upon religious imagery. In his poem “Ulalume—A Ballad” Astarte’s ghost appears. Astarte remains a goddess poorly understood, but Poe was likely drawing on her association with Venus. She fails, however, to lead to Heaven. Silverman points out how “Ulalume” was followed closely by Eureka, Poe’s only sustained attempt at metaphysics. Poe came to the conclusion that upon death we become part of the all-encompassing God. This daring deduction cost him friends and supporters, but it also led to a rebuttal by a seminary student. Poe’s reply to his criticisms remains apt, as Silverman quotes him, “‘God knows what’—he cared very little what he was called ‘so it be not a “Student of Theology.”’” Amen, Mr. Poe.
Some lives, like those of Job, seem fated to loss and suffering. Yes, there have been those who lost more than Poe, or even Job, but this is no contest to see who might bear the most weight before being driven to his or her knees. Poe felt it deeply and expressed it eloquently. He recognized, as most writers do today, that business models resent an honest voice. Those who sell are often those who pretend. I’m sure that Poe would nevertheless give a wry smile of irony if he knew how multiple editions of his works, long in the public domain, flow from the presses of publishers hoping to make a dollar or two on his now stellar reputation as a writer and, in full recognition of the paradox, a prophet. Like his raven, Poe could see beyond the confines of this world and paid the price for his vision. Obviously he was no student of theology.