No doubt, the motivation behind the book was noble. It is important to show that goddesses have been just as important as gods in the history of mythology. The problem emerges when the evidence is forced into a mold it doesn’t fit. “Goddess” is not a singular figure, any more than “woman” implies that all women are the same. Each chapter retells stories of various goddesses, and again this is problematic. Specialists in any one tradition are sure to spot errors and oversimplifications that suggest descriptions of other goddesses may not be completely trusted. There’s an overcompensation here. Men, at least some men, wish to show their support of women by suggesting that women once held esteemed places in the cult as well as in the throne room. What we know of history, however, gainsays this concept since, in one form or another, might has always made right.
Goddess is one of those little reference books whose main value lies in bringing previously disparate characters together to show some commonality. There is utility in placing goddesses side by side to form a phalanx of resistance to a hierarchy that has established itself as normative, backed by a more powerful male deity (or deities) in the sky. Goddesses have been part of religious thinking from the beginning. The early abstractions of natural powers, reason would seem to dictate, would have involved both masculine and feminine powers. We don’t know how such societies were organized, but the divine female was clearly present. By consciously acknowledging what we know, and creatively applying such knowledge, there may be a hope for the future of religions that is far more certain than a reconstructed past.