Having watched Tim Burton’s 1999 version—Sleepy Hollow—many times, I was taken by the introduction of the Bible into the story.The groundwork, however, was laid by Edward D. Venturini’s version.True to the story, Ichabod teaches Psalmody in his role as schoolmaster.Venturini’s film has a contrived scene in the church on Sunday that includes a lengthy sermon with everyone—even the usher—falling asleep.The episode, which is lacking in Irving’s original rendition, introduces the Bible into the narrative.The connection is thin, but nevertheless present.Burton picked up on the religious element and built it firmly into the plot as Ichabod Crane’s backstory as a skeptic, raised by “a Bible-black tyrant.”
As someone interested in the integration of religion and horror, early examples, despite the comic aspect of Venturini’s version, are often instructive.The comedic spirit is actually in the original; Irving’s tale gives a caricature description of Crane that gives the lie to the handsome protagonists beginning with Jeff Goldblum on through Johnny Depp and Tim Mison.Will Rogers plays the homely image to its hilt, and although lighthearted, the movie has some classic horror elements.To arouse his dozing parishioners, the minister yells “Fire!” When they awake asking where, he states “In Hell,” which sleeping churchgoers can expect.Although the eponymous headless horseman is shown to be Brom Bones, a remarkably effective early scene presents a skeletal, ghostly rider that haunts at least the imagination.The sun is out this morning, and the brooding skies of yesterday have passed.They will be back, however, as the season for ghost tales is only just beginning.