Hill has other ghosts to hunt in her study—she is a media scholar after all—but I kept wondering about the cheapening effect of commodification. That which creates the most wonder becomes the most tawdry when it’s put up for sale. Life is terribly ordinary. There’s an ennui to much of human experience, so people turn to religion, drugs, or increasingly, the paranormal, for escape. But as any savvy media expert (or Heisenberg fan) knows, being involved in the experience changes the outcome. This applies to money just as it does to people. One is more evil than the other, however.
Experiences of awe are a dwindling resource. The frisson of many an adolescent night when something unexplained or holy lurked outside your window has now become just another CGI gag pulled on a gullible public. I used to watch Ghost Hunters on DVD. Then someone released debunking b-roll footage on the internet, making me feel like I’d wasted more than a few irredeemable hours on a fraud. Just one prank is all it takes. Why? The show has to make money, and who is going to watch if nothing is found? Don’t be offended, it’s only entertainment after all. Nobody said there really was anything that you couldn’t plumb yourself. Maybe it’s just me, but it seems nothing frightens a ghost away like money.