We all evolve. I noticed the improbabilities more this time through. The fact that, unlike the movie, humans wore no clothes at all must’ve scandalized my young eyes. I would’ve agreed, however, with Ulysse Mérou’s sentiments that humans were created in the image of God, not apes. In fact, there is an undercurrent of a somewhat conservative theological outlook here. Humans may experiment on animals, but when it’s reversed, it’s evil. In many ways, the cinematic version improves the story, but Boulle’s telling grows in intensity as the novel unfolds. Mérou develops a moral sense that includes the apes as well as human beings. The story, of course, is largely about prejudice and its evils. In that respect, it’s timeless.
As a child I realized that we lose something if we accept the fact of evolution. We lose that special feeling of having been intentionally created by a deity that made us God-shaped. Ironically, I also came to realize that those who rejected evolution often treated their fellow humans like animals. They held onto prejudices against other “races.” They castigated the poor for being lazy. They wish to remove healthcare from those made in the image of God. The contradictions and cruelties simply don’t comport with the Good Book they adore and ignore. Evolution, with the realities of nature impinging on our security, is far less dangerous than what biblical literalism has evolved to be. I can’t say why this book and its cinematic renditions became so deeply embedded in my young mind. But having read the book again, it’s pretty clear that the ideas have remained there, even as they have modified, with descent, over time.