In my mind Simon Winchester is an historian associated with large pictures. Maps of the entire world, huge volcanoes, big oceans—the meaning of everything. I only discovered his The Alice behind Wonderland by accident. As soon as I spied it I knew I’d have to read it. As I expected, the younger years are most intriguing. Those of us who cut our classical teeth under the tutelage Liddell and Scott may not realize said Liddell was the father of Alice. But it’s not the father that impresses so much as the daughter. And Charles Dodgson himself—the cast of characters is compelling even with little action beyond photography and story telling. Yet we’re riveted. What was the dynamic that led a bachelor cleric to write a world classic for children?
Who doesn’t, even in less-than-ideal circumstances, long for the carefree days of childhood? Looking at photos of our younger selves evokes a world accessible only in our heads. The world that made us who we’ve become. Winchester bases this brief study on perhaps the most controversial photograph of Alice Liddell that Charles Dodgson ever took. Even the story of wet-plate collodion photography allures the reader with its promise of stories untold. We know little of why the Liddell family grew apart from Dodgson, so much so that the adult Alice didn’t even attend the funeral of the man who’d made her an immortal. What happened here? When we find out we’ll perhaps be a step closer to finding out why becoming an adult means sacrificing a child. We may be a step closer to finding a girl known to most of the world simply as “Alice.”