The story follows Carina Smyth as she attempts to discover her father through following his diary. This, of course, brings her path across that of Captain Jack Sparrow. Smyth is an astronomer and horologist. Because she’s female and this is the eighteenth century, she’s labeled a witch. Both the proximate and ultimate cause of the accusation is her gender. Although she proves to be the real hero of the film, the men can’t help thinking she’s a witch although she’s using science to find answers. In fact, if a male astronomer did the same things she did, there’d be no story here. This is a post-Galileo world. It’s also post-Salem. We don’t watch these films for history, of course, but it is true that although the witchcraft trials ended at the turn of that century, the accusations continued for some time after. The woman of science is a threat to the male establishment. She alone, however, discerns the truth.
Swashbuckler cinema was a male invention. Still, even in the twenty-first century too much of it comes at the expense of women. Jack Sparrow’s famous compass, for example, is passed on to him aboard a ship called the “Wicked Wench.” Surely this is meant to be funny, but at whose expense? The other women in the movie hardly come off better. Shansa actually is a witch, working for the establishment. Beatrice Kelly, in Jack Sparrow’s noose wedding, is portrayed as an undesirable bride, purely for laughs. Disney is famous for its princesses, but also for its wicked women. Even the strong female characters such as Mulan, Moana, and Anna find themselves being helped to success by male characters. Obviously the genders do interact in real life, and as recent history has shown us, men will demonize women if it helps them get ahead. You might think a movie of anti-heroes, however, would show the most intelligent character receiving a bit more respect. Especially since she’s a woman in a pirate’s world.