To continue my amateurish witterings on writing a memoir, Displaced Nation asked me:
Is it easier to turn expat stories or travel adventures into a memoir or a novel, and how does one decide?
Here’s the trick. Just because a memoir can’t be a novel, it doesn’t mean it can’t be written as if it were. The greatest challenge is to give memoir a plot that readers will find convincing and engaging enough to make them turn the page. For me, that meant very little fat. One of the first tips I picked up from my publisher was to dump storylines and characters that weren’t key to the main event or didn’t add interesting flavour. I tackled this by creating a story board, much like they do in the movies. This meant I could identify gaps in the narrative, ensure continuity and shoot down the flights of fancy.
Does this mean it’s not true?
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