Table and the Chair Drawing - by Edward Lear
From A Book of Nonsense, Everyman’s Library Children’s ClassicsI Said the Table to the Chair, 'You can hardly be aware, 'How I suffer from the heat, 'And from chilblains on my feet! 'If we took a little walk, 'We might have a little talk! 'Pray let us take the air!' Said the Table to the Chair.
II Said the Chair unto the Table, 'Now you know we are not able! 'How foolishly you talk, 'When you know we cannot walk!' Said the Table, with a sigh, 'It can do no harm to try, 'I've as many legs as you, Why can't we walk on two?'
III So they both went slowly down, And walked about the town With a cheerful bumpy sound, As they toddled round and round. And everybody cried, As they hastened to their side, 'See! the Table and the Chair 'Have come out to take the air!'
IV But in going down an alley, To a castle in a valley, They completely lost their way, And wandered all the day, Till, to see them safely back, They paid a Ducky-quack, And a Beetle, and a Mouse, Who took them to their house.
V Then they whispered to each other, 'O delightful little brother! 'What a lovely walk we've taken! 'Let us dine on Beans and Bacon!' So the Ducky, and the leetle Browny-Mousy and the Beetle Dined, and danced upon their heads Till they toddled to their beds.
Table and the Chair and Animals Drawing - by Edward Lear
From A Book of Nonsense by Edward Lear, Everyman’s Library Children’s ClassicsLear however was not only a master of nonsense poetry. This extraordinary man was a gifted writer/journalist, an illustrator, musician and art teacher (he taught Queen Victoria). He was a fine landscape painter well adept in oil painting and watercolour. Poetry inspired many of his paintings, particularly works penned by his good friend Mr Tennyson. Lear and Tennyson exchanged letters and verse for many years.
Venice 13 & 16 November 1865 - by Edward Lear
Pencil, Sepia Ink, WatercolourFrom The Painter Edward Lear by Vivien Noakes, David & Charles
Mr Lear was certainly clued into Victorian reality. He traveled the world and his keen observational skills and understanding of what he saw and experienced fed his imagination. He could be found sitting and drawing within the enclosures at the London Zoo and Knowsley Hall communing with parrots or riding a camel in Albania.
Red and Yellow Macaw, 1830
by Edward LearHand-coloured lithograph. Plate 7 in Illustrations of the Family of Psittacidae, Or Parrots, 1831. From The Painter Edward Lear by Vivien Noakes, David & Charles He took what he saw and transformed reality juxtaposing elements in text and visuals. His amusing and humorous creations initially were intended to entertain the children and grandchildren of his patron, Edward Smith-Stanley, 13th Earl of Derby, President of the Zoological Society and later for a world-wide public fan base of children and adults alike.
Pen and Ink Drawing - by Edward Lear
From A Book of Nonsense by Edward Lear, Everyman’s Library Children’s ClassicsThere Was An Old Man - by Edward Lear
Pen and Ink From A Book of Nonsense by Edward Lear, Everyman’s Library Children’s ClassicsThe worlds created by people like Lear, Lewis Carroll and Dr Seuss may make no sense to some, but they make perfect sense to me. Fictional nonsense is a gift – it is entertaining.These texts have hints of our world askew with lots of ridiculous thrown in, perhaps not quite understood, but that’s okay – it’s another world, not our own.
These alternate universes however strange they seem, are a bit of fun, they inspire me to construct my own alternative universes that welcomed relief from the often relentless, nonsensical and craziness of the outside world – and that world at the minute I’m really struggling to make sense of.
A sampling of my own nonsensical world written 2nd May 2020
Gwinnipeg Gwinnipeg from Winnipeg a perfect penguin with an extra leg stuck out of her head between the eyes a submarine in disguise in water the foot like a periscope that can balance balls and bars of soap or do clever moves like arabesque pointing straight up – she likes it best when swimming the leg like a handsome horn of the most magnificent unicorn and when on land she flips and flops from feet to foot she hops and hops an acrobat – she’s hard to stop flipping flopping flipping flopping flipping flopping SPLASH!
Noakes, V. (1991). The Painter Edward Lear. David & Charles. London.
https://farringford.co.uk/news-events/tennyson-poems-blog/edward-lear-and-tennyson
http://www.prescotmuseum.org.uk/wp-content/uploads/2016/11/Edward-Lear.pdf
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