You’ll have to bear with me in this because there will be a lot ‘I don’t understand exactly what happened but something like…’ since Upstream Colour is that kind of film. If you know anything about Shane Carruth, if you have seen Primer or have heard about it, you would have some idea about that. In the beginning, we see a man working on making something from the plants or specifically worms in the roots of the plants. It looks like he is making some kind of drink with the worms in it. We see two kids. One of them gives other one a drink that is filtered by a filter with a worm in it. When the other boy drinks it, he imitates every move first boy makes perfectly with his eyes closed. I made two assumptions here; first, this kid grows up to be the guy we saw earlier and second, that drink probably has some hallucinatory effects.
Next, we see this guy lurking around suspiciously trying to find someone. His eyes fall on a young woman Kris, as we know it later, alone, perfect victim for him. He dopes her with his potion and from that point onwards, she is like under his spell. This proves my second assumption and I had to be content with 1 of the two since there was no way to prove the former. She makes her do a lot of weird things but essentially takes her money and leaves her be. When she wakes up, she does not remember what happened to her. She loses her job because she just vanished without saying anything, all her savings are gone, even the house she leaves in isn’t hers anymore. Basically her life as she knew it isn’t what it was and she has no idea how.
I have been watching The Story of Film: An Odyssey(2011) on Netflix over the last week. I still haven’t finished it but I am almost done. If you have seen it, you would know that narrator Mark Cousins talks continuously about films that tried to work beyond the boundaries of the medium in it. I am sure that Mark Cousins would love this film because I think this is the farthest you can get from conventional cinema without rejecting the format completely; something he loves dearly. It uses hand-held camera which reflects a lot of movements and majority of the film is shot in close-up. It uses deep focus, weird camera angles, harsh lighting and very few dialogues. There is rather more emphasis on the various sounds you hear in the background than dialog. In lot of places story moves forward without using any dialogues and when there are dialogues, they are usually delivered very flat and you don’t always see the person talking on screen.
I still haven’t understood a lot of things about this movie, most importantly last 5 minutes of this movie. I don’t know what exactly was the perpetrator doing? Why was he doing whatever he was doing? I didn’t understand where the name of the movie comes from though I am guessing it has something to do with those flowers they find in the stream. But… but I am neither disappointed nor annoyed by the ambiguous ending (Can I call it ambiguous even if it’s just because I did not understand it?). I am rather intrigued by it which to me is a success of the film – not alienating your viewer. I would be willing to give it few more chances and see if I can get few things more next time.
Upstream Colour does not follow most of the conventions, neither does it spoon feeds the viewer about its mystery and it’s very open about it. If you have seen Primer, you know that you’ll have to see this film multiple times and even then you may not understand it completely and Carruth doesn’t try to sugar-coat that either. However despite everything, I still believe it is an experience worth sitting through. Just keep your patience, try to understand as much as you can and who knows? It just might pay off!
Rating(out of 5):