Someone so blinded by their grief and rage almost kills the wrong man in a quest to avenge Sara Lance.
Oliver’s evolving “I am not a killer” moral code is tested but ultimately confirmed in contrast to a ruthless assassin even though we have seen Oliver (maybe) kill people without batting an eye in a very recent episode.
Oh, and it’s actually Thea being kidnapped which brings about this test of Oliver’s code.
It’s all happened before, and it all happened again in “The Magician,” an episode I watched while constantly thinking, “Didn’t we just see something like this?” If judged as an individual piece, this was a damn fine episode, but if judged as part of a larger whole I simply saw a show repeating itself while trusting that I would just embrace the campiness that is John Barrowman. Plus, I found myself assaulted with the show doubling down on storylines I’ve hated from day one: the fact that they still haven’t told Quentin that his daughter is dead (not to mention the long-suffering but little-seen mother), and the fact that Malcolm mother flippin’ Merlyn is still alive.
Full disclosure: I watched this episode immediately after watching my beloved Kansas City Royals foul out with the tying run on third base in the bottom of the 9th in Game 7 of the World Series, gifting the series to the San Francisco Giants because someone can’t lay off “the high ones” ala A League of Their Own. So, yeah, I was not in a great mood.
Laurel was grieving and not thinking straight and circumstantial evidence was something she could cling to. I can buy that. Nyssa is a trained assassin who just lost the apparent love of her life. The fact that they had that one lovely moment of Nyssa breaking down into tears before Oliver snuck up on her in Sara’s safe house was enough to show us just how much pain she was in. Give her a target, and she will instinctively go into assassin-mode, even if the evidence doesn’t completely add up. So, I can buy that Nyssa would behave as she did, even after Malcolm declared his rather logical innocence. However, when I first said that killing Sara off could make for an interesting half-season long “Who killed Sara Lance?” mystery I didn’t anticipate the mystery would simply entail them finding suspects whom the emotionally compromised team member tries to kill before Oliver’s cooler head prevails. Find something different to do with this, Arrow. Also, Nyssa knows full well from last season that Oliver will not kill; she even mocked him for it, firing off her version of a zinger in the season finale, “Your reticence to do what is necessary is why your city burns.” I thought there’d be some reference to that at some point. There was not, unless I missed it.
This is unfortunately an area which Arrow traffics in – unfortunate storylines you’re just kind of stuck with. If you didn’t think the motivation they provided for Slade Wilson’s villainous turn was sufficient you either just have to get over that or stop watching because that’ll pretty much undermine everything they do for the entire second half of the second season. If you thought bringing Sara Lance back from the dead cheapened so much of the first season and needlessly turned Oliver into an unreliable narrator, well, get over it because she was going to be a huge part of the season. If you wish Malcolm Merlyn had just stayed dead, well, get over it because Barrowman’s been upped to a series regular this season. Sometimes the show proves you wrong, as happened with my initial resistance to Sara last season. Sometimes, well, you just have to get over it if you want to keep enjoying the show.
If you can simply accept it as “it is what it is” situation then you’re free to simply enjoy what they’re doing with Malcolm, and take to various internet forums to discuss the big ethical debate of “The Magician”: Even though Malcolm didn’t kill Sara, should Oliver have killed him anyway considering his responsibility for so many deaths, including Tommy’s, during the “undertaking”? The show swiftly waves away any thought of trying to have Malcolm arrested, placing Oliver as the judge, jury, and executioner. As he did in the last season finale when he refused to kill Slade Wilson, Oliver’s moral code was again upheld, but the whole business of Oliver claiming Malcolm was now under his protection seemed utterly absurd because at no point in this episode did it actually seem like Nyssa was close to killing Malcolm. He always had the drop on her. Maybe I’m just quibbling over the wording, though, because Oliver probably really means, “Don’t go after my sister anymore – the sister I freely told you was Malcolm Merlyn’s daughter, thus putting her in danger. Hey, you kind of cornered me on that one, though.”
Ah, screw the flashbacks. Here’s a picture of Nyssa and Laurel at the graveyard. These two are clearly new BFFs, right?
Meanwhile, In China… | They’re doing Godfather 2. There, Francis Ford Coppola made the brilliant move of using flashbacks to contrast the ascent of the father in the past and descent of the son in the present. Arrow is stealing from that playbook, except here we’re watching Oliver evolve into a hero in the present and devolve into a cold-blooded killer in the past. So, this week’s flashback gave us his first mission killing a man on Amanda Waller’s orders, acting as a counterpoint to his unwillingness to kill Malcolm Merlyn in the present. This is what Arrow’s flashbacks classically do: they make some thematic connection to the more pressing matters of the present without actually affecting anything. Last year tweaked that formula so that the events of the flashbacks directly informed what the big bad was doing in the present.
This stuff in Hong Kong may yet get to that this season, but in “The Magician” they were more concerned with providing the answer to the long forgotten season 1 mystery of who was really behind Fyers and what was her plan, i.e., “Did she really want to destabilize China’s economy?” We’d seen her legs at one point, but nothing more. Now, we know those legs belonged to Amanda Waller, and apparently every damn thing that went down on that island in season 1 was simply part of a plan Waller had to assassinate someone on a plane. I’d pretty much moved on from that storyline a long time ago, and it kind of sucks to think of Fyers, season 1’s second big bad behind Malcolm Merlyn, as being a puppet who didn’t realize he was being played. But sure. Fine. Okay. Whatever. Is it too late to simply drop the flashbacks from this show? Or to maybe do more episodes with absolutely zero flashbacks?
THE BOTTOM LINE
Not to repeat myself, but this was an episode I watched while constantly thinking, “Didn’t we just see something like this?” If judged as an individual piece, this was a fine episode, but if judged as part of a larger whole I simply saw a show going through a similar set of motions, and trusting that I would just embrace the campiness that is John Barrowman. That didn’t really happen for me.
NEXT WEEK – “The Secret Origin of Felicity Smoak”
Quick question: Do we actually need some elaborate secret origin of Felicity Smoak? Part of her power is being the everywoman outsider who simply wondered into this vigilante world. Give us her back story, sure, but, and I realize how stupid this sounds, please don’t go too comic book-y with it. Her father better not end up being somehow improbably intricately connected to Oliver.
THE NOTES:
2. Arrow has unintentionally made me laugh before, but never harder than during this episode when Roy did that stupid parkour flip over the hood of an SUV only to be immediately put down with a tranquilizer dart. The whole entire sequence was smirk-inducing to me, but the sight of a plain-clothed Roy, clearly thinking, “I accept your challenge – behold my fancy ninja moves!”, getting pushed aside so quickly was hilarious.
3. All the other reviewers seem to be picking, “It’s illogical!” as the clear William Shatner awkward line reading moment of the night for John Barrowman. I actually kind of liked that moment. The one that got the loudest groan from me, maybe because it was just such a horrible line, was his cry of, “I did not kill your beloved!” to Nyssa during the final fight scene.
4. “I hate it here” – Oliver says that upon entering the apartment of his Hong Kong handler, who appears to be preparing a family meal of some kind in the kitchen. Part of me wanted that guy to honestly ask Oliver, “Is it…is it my cooking?”
5. “He has the right to avenge his daughter” – And in that moment I cheered for Nyssa, only to be instantly discouraged as she begrudgingly became an accomplice in everyone lying to Quentin about his dead daughter.
6. The way they left things felt like we will being see more of Nyssa and Laurel together, bonded by their grief over Sara.
7. Obvious ADR moment: When Nyssa is arrow’d to the wall and pleading with Oliver to kill Malcolm, she mentions that this bastard is responsible for Tommy’s death. We don’t hear it say it, simply hear it from her off-screen. It sounds like something they threw in to make sure we remembered that, not like something Nyssa would actually say unless I underestimate how much she knows about Tommy Merlyn.
8. Yay! We finally know who exactly owns and controls Verdant.
9. Oliver and Malcolm meeting in a crowded city square? Cool idea. Having all of the extras around them walking exactly the way people who’ve been choreographed to walk in straight lines would? Not the most ideal execution. Plus, I was just waiting for someone to glance over at Malcolm, stop, and pipe up, “Hey, you’re Malcolm Merlyn! Every person in Starling City knows your face! How could we not? You killed 500 people, you monster!”
SECOND OPINIONS:
AVClub.com – They gave it an A-, concluding, “After a few weeks spent beating up small-timers, Oliver gets to face off with not one but two equal adversaries tonight. If this result—a great episode that sets up both Ra’s al Ghul and Malcolm as serious long-term threats—is anything to go by, Arrow should be nothing but heavy hitters from here on out. I realize why that wouldn’t be possible, but still, what a damn fine episode.”
TV.com – “The Magician” also served to reinforce the fact that Arrow‘s structure steadily improved as more of its characters were let in on various secrets, from Oliver’s identity all the way down to some peripheral connection to the big seasonal plot.”
I’m done with my ramble. It’s your turn.