The two Fontana lithographs above both date from 1955, and are printed on very thin paper, the first on green, the second on orange. They have both been randomly punctured with many small holes, in accordance with Fontana's practice at this period, and his ongoing concern with disrupting the picture plane. His paintings of this date, which are also punctured with holes rather than slashed with cuts (for which he is perhaps more famous), were called Buchi, Holes.
Apparently Fontana came to find MAC's theoretical rejection of figuration an arid dead-end, leading too many of its artists to take refuge in geometry. But his 1958 lithograph above is anything but arid or geometric. Instead it is lyrical and dreamlike, and makes the most of its unusual support, a highly fibrous buff-coloured paper. One of Italy's most influential 20th-century artists, Lucio Fontana died in 1968.