The Guardian has two reviews of Richard Greene's new biography of Dame Edith Sitwell. There are lots of other reviews -- by Claudia FitzHerbert, Robert O'Byrne, Duncan Fallowell, Sarah Bradford, Deborah Longworth, and by Victoria Glendinning (whose own biography of Edith Sitwell appeared in 1981). The reviewers are divided over the merits of Greene's book and of Dame Edith's poetry. They all seem to agree, though, that Edith Sitwell had a genius for publicity and was a celebrity (the proof of this is usually taken to be the photo of her with Marilyn Monroe -- see below). In the Daily Mail, Roger Lewis portrays Sitwell's life as a gag-a-minute comedy skit.
Sitwell's great-nephew, William Sitwell, comments on Greene's biography and reflects upon his famous family. He calls the illustrious Dame's collaboration with William Walton, Façade, 'early white rap'.
Sitwell's appearance was striking. Elizabeth Bowen likened it to that of 'a high altar on the move.' In Roger Lewis compares Sitwell's appearance to 'an effigy on a Plantagenet tomb.' According to Lady Natasha Spender, these 'Plantagenet features could strike a chill'.
'When the face is washed care must be taken to dry the nose downward, not upward, and whenever the nose is touched with the hand or handkerchief, the same advice must be borne in mind or very ugly results will follow.'
'Now, I am far from wishing to encourage tight-lacing, but if girls and women will practise it I should like to point out how it may be done with the least possible injury to the organs of the body.... girls (and women) will tight-lace, no matter what strength of protest is made, and it is better for them to do it in the least injurious way, if possible. Therefore I offer the following advice:-.... Of course, this is all unnecessary when funds are available to command a well-made corset from a trained physiologist.'