The skies opened up over San Francisco on Saturday evening, October 15, and the rains poured down. Though this deluge complicated our trek from dinner at Alta restaurant on Market Street to Davies Symphony Hall on Grove, drenching weather was not so discouraging that it prevented a full house audience from attending the week's final screening of Stanley Kubrick's sci-fi masterpiece, 2001: A Space Odyssey, with the San Francisco Symphony and Chorus performing its score live.
At 7:00 pm, an hour before the film and live performance were set to begin, Kate McQuiston, author of We'll Meet Again: Musical Design in the Films of Stanley Kubrick, took the stage to discuss 2001. She talkedof how music was key to the central themes, visual design and meaning of all of the director's films and spoke of how Kubrick edited 2001 around the music he featured in it. She also spoke to the Alex North controversy reporting that Kubrick, at some point, claimed he had never planned to use North's score at all. She went on to say that Kubrick also said, in contrast to what most authorities and those involved with the film (including Kubrick himself) have previously reported, that the film's musical selections had never been intended as a temporary music track ("temp track") for the film, that he had always planned to use this music in the finished film
By 8:00 pm the symphony and chorus were in place and conductor Brad Lubman stepped to the podium and raised his baton. Richard Strauss' majestic tone poem Also sprach Zarathustra filled the hall, followed by thunderous applause. And the film began.
I hadn't seen Kubrick's space epic in a theater since it was in release in1968. It was a mind-blower then and it is today. Though its plot has befuddled multitudes over the years, its visual and aural power is riveting. Over the next few hours we were treated to Kubrick's meticulously designed and photographed masterwork with the world-class accompaniment of San Francisco's symphony and chorus. It was goosebump-inducing to listen to the Richard Strauss tone poem, Johann Strauss II's Blue Danube waltz, the Adagio from Khachaturian's Gayane ballet suite, and four avant-garde works by Gyorgy Ligeti. The chorus' performance on Ligeti's compositions was nothing short of a religious experience.
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The San Francisco Symphony's 2016/2017 Film Series continues. Coming up:
- Rodgers and Hammerstein's The King and I, December 2 and 3, 2016
- Singin' in the Rain, December 9 and 10, 2016
- The Snowman, December 16 - 18, 2016
- On the Waterfront, January 7 and 8, 2017
- Raiders of the Lost Ark, April 13 - 15, 2017
- Casablanca, June 2 and 3, 2017
The Snowman
Click here for more information on the series and to buy tickets.Many thanks to the San Francisco Symphony for tickets to this unforgettable event.