Skullphone’s Digital Media paintings are calculated fabrications for indoor viewing, a departure from the large-scale outdoor work for which he first became known. The paintings document our modern world – one which is increasingly defined by connection and communication via brief technological encounters. Here, advertising, government, private enterprise signage, real- and digital-scapes are represented. This work employs a deliberate grid system of red, blue, and green paint applied to reflective aluminum panels one dot at a time, creating pointillistic images that dislocate when approached.
Los Angeles-based Skullphone first gained notoriety on city streets in 1999 for his iconic image of a black-and-white skull holding a cell phone, an image which pointedly welded humanity to technology. He sparked controversy and conversation when his artwork appeared on the first digital billboards found throughout Los Angeles in 2008. Positioning his artwork as both megaphone and white noise, he raised the issue and left local and online audiences to their own devices in appraising issues of connectivity, personal privacy, advertising, street art, urban blight and life in Los Angeles.
Private view:
Friday 20th July XX12, 6-9 PM — RSVP - rsvp@ivoryandblack.com
Ivory&Black Soho, 94 Berwick Street, London W1F 0QF