Shadowlands

By Nicholas Baines

Lockdown means working back through the films I thought we’d seen often enough. The other impetus is that we have a young Austrian student friend living with us and most of these films are new to her.

Last night I couldn’t find what I was looking for, so we watched Shadowlands, the beautiful film about CS Lewis and his relationship with Joy Davidman. I am not an easily weepy man, but the final scenes have me blaming the hay fever again.

The story shows how a cerebral man, an intellectual apologist for Christian faith, comes up against experience and finds that tidy rationality – even in matters of faith – is inadequate when confronted by love and pain and loss and uncontrollable grief. The unarticulated inhibitors of emotional freedom, displaced into the secondhand living-through-literature (which is not to diminish it), slowly dissolve into helpless exposure of weakness and need. Lewis finds that he has been found by love.

We know from what followed that Lewis’s apologetics were humanised – fired in the fulcrum of loss. A Grief Observed remains one of the most beautiful accounts of the power of grief and the uncontrollable experience of powerless submission to raw truth.

A bit like coronavirus, grief can’t be “fixed”or “defeated” or “controlled” – it has to be lived with and gone through and accommodated. And at the end of it all lies what Christians call grace – being found by love.