You’re a thirteen year old girl, in Afghanistan, when your father sells you to a warlord as his fourth wife; with two of your sisters thrown into the deal, for his henchmen. (One soon burns herself to death.)
Pearl tells the stories of Rahima, the thirteen year old, and her great-great-grandmother Shekiba. Here’s something I learned about: Rahima spent some time as “Rahim,” a bacha posh, a girl living as a boy. This is not a transgender thing. Rather, it’s to evade all the societal restrictions on girls, and people wink at it. Thus “Rahim” could go to the market alone and haggle with vendors, thus helping her mother.
As a wife, Rahima was strictly confined in the warlord’s house and her role consisted of household chores, sexual servitude, and taking beatings. The only difference from being in prison was child-bearing. So maybe the better analogy is to slavery.
One thing missing is romance and seduction. Being a sexual object is a wife’s duty. Thus, her own sexuality is no part of the equation. It was striking that the lone male character in Pearl portrayed with a modicum of humanity nevertheless, when deflowering his new wife Shekiba, did it with no preliminaries. Not even an explanation to soften what was about to happen (and it didn’t take long). Whatever word Afghans use for this act, it cannot rightly translate as “lovemaking,” and sounds about as much fun as Trump’s pussy grabbing. Again , no thanks.
Hirsi Ali
I think often of Ayaan Hirsi Ali’s memoir Infidel, talking of her arrival in the Netherlands as a refugee, after life in various Muslim countries. It was like landing on a different planet. Very quickly her eyes were opened to this being a good society, that enables people to live good lives. Much unlike her own past homes.
As for Rahima, her warlord hubby develops buyer’s remorse, and spots another chick he fancies; but a Muslim can’t have more than four wives.
Unfortunately most Afghanis have no escape route.
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