Palazzo delle Esposizioni - Rome
The weather forecast had announced a cool, cloudy, rainy spring day. Having planned to be out in Rome all day with students and colleagues first and with friends once off service, I had chosen to wear my woolen gray picot, my jeans and my boots and made sure to remember my umbrella. So? It was an incredibly hot sunny day instead, almost summer! Quite the wrong start, wasn't it? Wrong clothes, at least. However, sweating a bit all the way around the three exhibitions we had in our schedule, I enjoyed what I saw and what I heard all the the same until my quick lunch with my three nice colleagues. Our students were free to choose where to have lunch by themselves, wherever they wished, but nearby. MacDonald's? Yes, of course. We met them again at 3.30 in the afternoon when the temperatures was even hotter and when our time together was almost over. Once they were all in the coach, I left for the rest of my Roman adventure ... well... not exactly an adventure, but more a longed-for break in my usual routine. Before going on with my journal, some news from the official site about the exhibitions we visited in the morning at Palazzo delle Esposizioni.Guggenheim Collection: The American Avant-Garde 1945–1980
The exhibition begins with the years following World War II, when the United States emerged as a global center for modern art and the rise of Abstract Expressionism drew international attention to a circle of artists working in New York. From this time forward, the postwar era witnessed a rich proliferation of varied aesthetic practices by American artists: from Pop art’s irreverent embrace of vernacular imagery to the intellectual meditations on meaning that characterized 1960s Conceptualism; from the spare aesthetic of Minimalism to the lush visuals of Photorealism in the 1970s. Though resulting in widely divergent artworks, these movements all shared a fundamental commitment to interrogating the nature, purpose, and meaning of art. As it examines this critical moment in the history of American art, Guggenheim Collection: The American Avant-Garde 1945–1980 also reflects on the Solomon R. Guggenheim Museum’s role in shaping these developments through its long-standing support of emerging artists. Drawn primarily from the museum’s permanent collection in New York, the paintings, sculptures, photographs, and installations on view all embody the specific interests of individual curators, collectors, and scholars who championed the contemporary art of their day and left their stamp on the institution over time. Evident, too, is the Guggenheim’s evolution from its roots as a distinctive showcase for European abstract painting into an international venue for modern and contemporary art, underscored by the important selections of works by Jackson Pollock and Arshile Gorky from the Peggy Guggenheim Collection in Venice and Robert Rauschenberg’s Barge (1962–63) from the Guggenheim Museum Bilbao.
Homo Sapiens - The great history of human diversity
"Each village is a microcosm that tends to reproduce the macrocosm of all mankind, albeit a bit different in proportions" (Luigi Luca Cavalli Sforza)
My favorite photo - Can you hear the sound of silence?
National Geographic Italia returns to Rome's Palazzo delle Esposizioni with a new international photographic exhibition. Following on from "Water, Air, Fire and Earth", "Mother Earth", "Our World" and "Colors of the World", "The Meaning of Life" runs at the Via Nazionale exhibition space between 9 March and 13 May 2012. Photographs by the Society's finest photographers take us on a voyage to the key values shared by billions of human (and not just human) beings. This entrancing photographic journey offers four "stopovers": Love, Work, Peace and Health. Love, work, peace and health captured by the camera are feelings and values that can intensely captivate viewers' attention. With great professionalism, in their work National Geographic photographers are expressing their own emotions. It is impossible not to be affected by the passion evident in the photographs on show. Once again, the result is an exhibition of splendid images which plumb in directly to our heads and hearts. The four sections of the exhibition, together, encompass "the meaning of life". They also share the common thread that unites National Geographic Italia's photographic exhibitions, and which is the Society's central mission: to preserve the planet and ensure the survival of all living species. Spooks or The Vicar of Dibley?