Shakespeare’s Antony
and Cleopatra: UNDONE
Adapted by Patricia Henritze and Shawna Tucker
Directed by John Arthur Lewis
at The Side Project, 1439 W. Jarvis (map)
thru Oct 5 | tickets: $15 | more info
Check for half-price tickets
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Passable but far from electrifying
Skyline Stageworks presents
Shakespeare’s Antony and Cleopatra: UNDONE
Review by Lawrence Bommer
Compressed into 75 minutes, Skyline StageWorks‘ clumsily named Shakespeare’s Antony and Cleopatra: UNDONE (who else’s "Antony and Cleopatra" is in question here?) is an intense and concentrated distillation of the historical love tragedy into four characters and a few props. Here the poetry, as rhapsodic as the verse given those other star-crossed lovers, takes center stage–which, of course, puts a premium on the performances.
Gordon sedulously suggests the servants and emissaries who provide the connective tissue between these rather selfish lovers and their imperial nemesis. But this stand-alone version needs a denser psychological grounding and lyrical sweep to carry off the great expectations of this formidable passion play. But, as the only "Antony in Cleopatra" in town, it still carries the considerable cachet of its flawless author.
Rating: ★★
Shakespeare’s Antony and Cleopatra: UNDONE continues through October 5th at Side Project Theatre, 1439 W. Jarvis (map), with performances Thursdays-Saturdays at 8pm, Sundays 3pm. Tickets are $15, and are available at BrownPaperTickets.com (check for half-price tickets at Goldstar.com). More information at SkylineStageworks.org. (Running time: 75 minutes, no intermission)
Photos by Claire Monson
artists
cast
James Sparling (Antony), Shawna Tucker (Cleopatra), Drew Mierzejewski (Octavius Caesar), Bill Gordon (Player)
behind the scenes
John Arthur Lewis (director), Alexa Berkowitz (stage manager), Matt Kania, Christian Gero (sound design), Drew Mierzejewski (combat design), Kaitlyn Grissom (set design), Nathan Rohrer (costume design), Doug Thomas (graphic design), Claire Monson (photos)
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