Experimenting and moving forwards while never misplacing that gift for brilliant songwriting, 'Matador' is the most vital and consistent Coombes record has delivered in at least a decade. Aside from a few contributions from drummer Loz Colbert and keyboardist brother Charlie Coombes, all the instruments on the album were played by Gaz himself, and it looks like this new independence and increased creative control has paid off.
Piano chords hang over glitchy rhythms on the opening 'Buffalo' before tumbling into a grand wallop of a chorus, and on the sparse, slow building earworm '20/20', flourishes of electronics evolve into a busy, authoritive groove. The European flavoured energy bolt 'The English Ruse' channels the influence of Neu! and Can, while the dreamy swoon of 'The Girl Who Fell To Earth' pairs elegant acoustic guitars with sweeping melotron strings, and spacious highlight 'Detroit' runs on an easy moving kinetic pace, countering dark lyrics with dazzling melodies and the anthemic power of its magnificent chorus.
20 years after bursting onto the scene, Gaz Coombes is on a roll once again. 8.5/10
https://www.facebook.com/GazCoombeshttps://twitter.com/Gaz_Coombes