Neutral Tones in Australia

By Facingnorth

Today is I am back to work after Christmas holidays and I welcome it happily. Though family time (up and down in Europe) is always lovely, I missed my daily routine. Ok, let's be honest: I missed my blogging and pining and instagramming (not sure if the verb even exists).
I take you today to Australia to visit this beautiful home designed by Whiting Architects. The project shows a conscious use of light as an instrument to define and enrich the space, like in the bedroom flooded with natural light coming from the lateral window or in the family space of the kitchen-dining area. Also, there's no doubt this Aussie firm loves great design and has a real talent to create elegant spaces with a cosy atmosphere. Structurally our impact was minimal/ that decision was driven as much by practical constraints as it was by aesthetic aspirations. Wanted what was existing to define the outcome as much as anything we would bring to the project.
Shadow lines offered on lining boards, movement of light across the interior through the different times of the day were utilized as key design considerations. Primary shapes & materials offered minimal pallet, which tied in with existing rather grand period elements. - See more at: http://melbournedesignawards.com.au/mda2012/entry_details.asp?ID=11007&Category_ID=4748#sthash.akosadVg.dpufStructurally our impact was minimal/ that decision was driven as much by practical constraints as it was by aesthetic aspirations. Wanted what was existing to define the outcome as much as anything we would bring to the project.
Shadow lines offered on lining boards, movement of light across the interior through the different times of the day were utilized as key design considerations. Primary shapes & materials offered minimal pallet, which tied in with existing rather grand period elements. - See more at: http://melbournedesignawards.com.au/mda2012/entry_details.asp?ID=11007&Category_ID=4748#sthash.akosadVg.dpufA small team devotes their energy to a handful of projects a year. ‘We like to focus on one at a time’.
- See more at: http://melbournedesignawards.com.au/mda2012/entry_details.asp?ID=11007&Category_ID=4748#sthash.akosadVg.dpufStructurally our impact was minimal/ that decision was driven as much by practical constraints as it was by aesthetic aspirations. Wanted what was existing to define the outcome as much as anything we would bring to the project.
Shadow lines offered on lining boards, movement of light across the interior through the different times of the day were utilized as key design considerations. Primary shapes & materials offered minimal pallet, which tied in with existing rather grand period elements. - See more at: http://melbournedesignawards.com.au/mda2012/entry_details.asp?ID=11007&Category_ID=4748#sthash.akosadVg.dpuf