I'll start at the end. A couple of Christmas shows in Sheffield, Slow Club brought festive cheer and a glimpse into what they have hidden up their sleeve at the Queens Social whilst ukulele loving six piece Everly Pregnant Brothers put on one hell of show at the O2 Academy, one of my favourites gigs ever, it had everything, joy, so much joy, sing-a-longs, an amazing atmosphere and top tunes, a great night. Other live highlights include Spector's ramshackled, hit-laden show at Queens Social, the opening night of the iTunes Festival with a bonkers performance from Lady GaGa and Beyonce put on a mesmerising show on at The O2. There was the dependable, Conor Oberst at the Barbican and Patrick Wolf charmed the Queen Elizabeth Hall but these two rarely do wrong for me.
2013 will be remembered as the year of the singles, sales soared, are more people choosing to buy singular songs for 79p rather than fork at £5.99 for the whole thing or was it just a vintage year for slices of three minute brilliance?
Hands up who bought Robin Thicke's album? No, nobody, surely it should have been topping charts like the brilliant but controversial Blurred Lines but poor old sleezy Thicke is suffering from one-hit-wonder-syndrome. Then again, hands up who watched Miley Cyrus lick a sledgehammer whilst wearing very little? Yep, everybody, well, why didn't you buy Wrecking Ball, it didn't shift enough copies to make the end of year top 40!
That's the singles, what about the albums then... It was a strange year, no trend really dominated, even with my picks which are mostly hip-hop led go their own ways. My number one has to be Tyler, the Creator's masterpiece, Wolf. The complexity in how it flows along, musically and vocabally is highly impressive for a genre bending artist who just loves a good song, he is almost poetic with words sharper than anybody else out there. Eminem returned to form on Marshall Mathers LP 2 but it was Kanye who changed the game with Yeezus, a record that is as terrifying as it is mind-blowing, unpredictable with twists and turns on every beat. Like a said earlier, Lorde brought timeless pop back along with Tom Odell's piano based debut, Long Way Down which is flooded with emotion and Beyonce was a late entry into the mix. Both Katy Perry and One Direction showcased maturity on their third LPs but GaGa lacked in class with ARTPOP. As for 'guitar' bands, lets just say most took the year off! There are a few exceptions to that theory though, one being the always progressive Arctic Monkeys who hit the nail on the head with AM, an absolute corker, every song is flawless as they fly the flag for rock 'n' roll.
C'mon guys, I'm waiting for something fresh soon. Please. I miss the excitement of finding my new obsession.
P.S. okay, one thing I am excited for coming up TAYLOR SWIFT AT THE O2.