80 cm by 60 cm and I can't work out if these paintings are upsidedown or not, I like them either orientation.
One of the scariest and most essential features of 'creating a body of work' is that (while enjoying the game of syntax and grammar) one must never forget THE BASIC PREMISE upon which that batch of art was based. It came the time to re-examine that first (vertical or portrait) prototype piece, and see if I could use the things I'd learned in the last six months to reproduce that naivety and spontaneity I'd always hoped I could achieve with these Abstract Expressionist works.
50 cm by 50 cm and it's so refreshing for a conceptual project to bear syntactical and grammatical fruit.