As well as it being my first KVB gig, this is also my very first time at The Louisiana, despite having been to Bristol countless times to watch live music. I didn't expect it to be a pub with a performance room upstairs, but it's in intimate venues like this that new music truly thrives. Tall, floppy haired electronic wizard Autumns warms up the full capacity crowd with a set of pounding techno that heats up the atmosphere with hypnotic repetitions and thumping beats.
It's only a few minutes before The KVB take to the stage to a warm reception. Described as "darkwave" by some, and "psychedelic electronica" by others, to these ears, the London duo's music brings together the influences of Joy Division, OMD, the Jesus And Mary Chain, Neu! and the vast majority of the Mute Records back catalog in a lysergic, dreamlike brew of shoegaze, Krautrock and techno pop. Having only recently discovered the prolific, restlessly creative duo via their sixth album 'Only Now Forever', tonight is a perfect opportunity to check out other tracks from their back catalog. As it turns out, the new LP and this setlist make a perfect introduction to this hugely engaging twosome.
The
gorgeous, otherworldly 'Violet Noon' ventures down similarly calming, ethereal avenues, glowing with a sad beauty as it slows down the pace. Its blissful, aeronautical properties are complimented wonderfully by its misty chords, demonstrating how the duo's sound is developing from the earlier material which focuses less on melody and more on mood and sound. From 2016's 'In Desire', the marvellous 'White Walls' bathes in dazzling light as Wood's looming vocals ring out over its disciplined kinetic patterns and analog textures. Getting busier as it builds into a lifting cosmic sensation, it's followed by the shadowy 'Night Games', where a dark, overcast climate plays home to piercing notes and delicious drum machine.Originally released in 2012, the steady, arresting 'Here It Comes' evokes a
delicate magic in its billowing melody and voltage-powered radiance, before the set finishes with the monstrous 'Dayzed', where the heaving riffage and feedback-fuelled sonic assaults recall MBV at their peak. With its ominous mechanical march and intense, robust temperament, it delivers a fearsome, magnificent climax.Wood's intricate, efficient and dynamic guitar work is perfectly matched to Day's technical brilliance, and their remarkable artistic chemistry is a blessing for music in 2018. The alternating measures of psychedelica, synthpop, shoegaze and electronica contained within their sound form a style that plays well with their increasingly accomplished songwriting, while the awesome graphics surrounding them brings the music to life in stunning fashion.
As a recent convert to The KVB, it's a real treat to hear some of the highlights from 'Only Now Forever' live and within the setting of Kat Day's amazing visual creations. On top of this, hearing their older material for the first time is an absolute revelation. Off I go to buy more KVB records and investigate these treasures further... You should do the same.