Smalhans is the second record by Hans-Peter Lindstrøm this year, and it’s another petite package of glittering, electronic gems. Even more so than on Six Cups of Rebel, the easy-breezy electro style of Smalhans makes it an addictive back-to-basics record that will surely appease the Norwegian producer’s fans, plus gain him some new ones in the process.
Lindstrøm’s name is one that isn’t too familiar to the American indie masses, but it probably should be. We all like to dance, right? Well, Smalhans is sure to make that happen. The rather concise record has a simplistic yet groovy vibe that’s reminiscent of nostalgic French act College.
Now, I couldn’t pronounce these track names if my life depended on it, but I’m definitely ready to sing their praises. Opener and standout “Ra-ako-st” sets the tone for the six-song collection of high-energy, buzzing electronica– just the way we like it. The aggressive bass is mixed with lighter, glossy elements of sound, so that by the time the shimmery vintage 80s synths come into play, you’re already sold.
Lindstrøm’s style throught Smalhans is essentially fast, melodic, and repetitive, but with more than enough variety of sounds to keep the listener interested (and grooving). Instead of a slow build to a massive crescendo, Lindstrom chooses instead to build layers of sound piece-by-piece, like a chef creating a delicate Napoleon. “Lamm-el-aar” and “Eg-ged-osis” are two particularly quick yet powerful tracks. You’ll detect just the slightest bit of funk in “Vos-sako-rv,” and the addition of some vocals on “Faar-i-kaal.”
Closer “Va-fle-r” wraps things up nicely, and at just the right time. Averaging well over five minutes each, the six tracks on Smalhans are enough to keep you satisfied, without feeling too stuffed (even good music can give you a tummy ache in excess). Think Lindstrøm has enough gas left to churn out one more before the end of 2012?
2 / 5 bars