Clockwise from top left: Clara Bow, Joan Crawford, Gloria Swanson and Louise Brooks
Fashion in Film
Film and costume design history expert Kimberly Truhler, one of the presenting hosts at TCM’s 2013 Classic Film Festival, launched her new webinar series The History of Fashion in Filmwith The 1920s - The Jazz Age on November 17 - and I was there! Kimberly certainly knows her stuff - she’s an adjunct professor at L.A.’s Woodbury University where she teaches a course on the history of fashion in film, she serves as a film and costume design historian for Christies of London, curates a private vintage fashion collection, manages her own website, GlamAmor(dedicated to preserving and sharing the history and legacy of fashion in film), and much more. Her impressive experience and knowledge were clearly evident throughout the nearly two-hour inaugural webinar session. And what an education I got…
Kimberly’s discourse touched on the history of American film itself, from its invention to the advent of the studio system, from its beginnings on the East Coast to its move to the West Coast, from the age of the nickelodeon to the production of full-length feature films, from the silent era to the dawn of sound and from a time when costumes were often homemade to the use of European couture to the emergence of American couture.
Kimberly narrowed her focus to four films of the ‘20s that she considers essential to film fashion history because of their immediate as well as long-lasting impact on style on and offscreen. Here is a snapshot of just some of what we learned:
It (1927), from Paramount, starring Clara Bow with costumes by Travis BantonBanton made a daring decision when he chose to showcase the “little black dress” look on Clara Bow in It only a few months after Coco Chanel unveiled her “Ford dress,” the first lbddesigned for conventional wear. Until then, women wore black only at funerals - but the look was popularized with It.
MGM’s Our Dancing Daughters (1928), starring Joan Crawford with costumes credited to David Cox (though Kimberly suggests that Adrian may well have been involved)This film made a star of Joan Crawford and popularized the Art Deco look. The movie also promoted “women wearing pants” (a huge taboo at the time) with an equestrian look that was famously mirrored decades later in Diane Keaton’s legendary Annie Hall style.
G.W. Pabst’s Pandora’s Box (1929), a German silent film starring American actress Louise Brooks with costumes by French designer Jean PatouWould anyone remember Louise Brooks if not for this film? Her pared-down, low-cut, back-revealing wardrobe by French fashion icon Jean Patou signaled the direction style would take in the 1930s. And Brooks’ iconic “bob” became a haircut du jour that never went out of style.
Clockwise from top left: Clare West, Jean Patou, Adrian and Travis Banton
I have barely scratched the surface of Kimberly‘s fascinating webinar but a recording of the session is now available online. Click here for information on access to the recording and for more on the remaining History of Fashion in Film webinars:Sun., December 15: The 1930s – Art Deco EleganceSun., Janaury 19: The 1940s – Film Noir StyleSun., February 16: The 1950s – Opposites AttractSun., March 16: The 1960s – RevolutionSun., April 20: The 1970s – Everybody’s All American
Cary Grant and Marlene Dietrich in Blonde Venus (1932), costume design by Travis Banton
The Hollywood Costume
Deborah Nadoolman-Landis
Meanwhile, beginning on the 6th of next month, Turner Classic Movies will shine its Friday Night Spotlight on The Hollywood Costume all through December. Costume designer (Animal House, The Blues Brothers, Raiders of the Lost Ark) and author Deborah Nadoolman Landis will host, and every Friday evening viewers will be treated to three double features, each showcasing the work of a different top Hollywood costume designer. Here’s what we can look forward to:December 6Designer: Travis BantonFilms: Blonde Venus (1932), starring Marlene Dietrich and Cary Grant, and Cleopatra (1934), starring Claudette ColbertDesigner: Orry-KellyFilms: Casablanca(1942), starring Ingrid Bergman and Humphrey Bogart, and Auntie Mame (1958), starring Rosalind RussellDesigner: AdrianFilms: The Women (1939), starring Norma Shearer and Joan Crawford, and Anna Karenina (1935), starring Greta Garbo
December 13Designer: Irene SharaffFilms: Funny Girl (1968), starring Barbra Streisand, and Who’s Afraid of Virginia Woolf? (1966), starring Elizabeth Taylor and Richard BurtonDesigner: Anthea SylbertFilms: Chinatown (1974), starring Faye Dunaway and Jack Nicholson, and Carnal Knowledge (1971), starring Jack Nicholson and Ann-MargretDesigner: Walter PlunkettFilms: Adam’s Rib (1949), starring Katharine Hepburn and Spencer Tracy, and Forbidden Planet (1956), starring Walter Pidgeon and Anne Francis
December 20Designer: Jean LouisFilms: Send Me No Flowers (1964), starring Doris Day and Rock Hudson, and The Big Heat (1953), starring Glenn Ford and Gloria GrahameDesigner: Anna Hill JohnstoneFilms: Dog Day Afternoon (1975), starring Al Pacino, and The Stepford Wives (1975), starring Katharine Ross, Paula Prentiss and Tina LouiseDesigner: Edith HeadFilms: Sullivan’s Travels (1941), starring Joel McCrea and Veronica Lake, and The Seven Little Foys (1955), starring Bob Hope
December 27Designer: Edward StevensonFilms: The Magnificent Ambersons (1942), starring Joseph Cotten and Tim Holt, and Out of the Past (1947), starring Robert Mitchum and Jane GreerDesigner: Ann RothFilms: Silkwood (1983), starring Meryl Streep, and Klute (1971), starring Jane Fonda and Donald SutherlandDesigner: Helen RoseFilms: The Bad and the Beautiful (1952), starring Lana Turner and Kirk Douglas, and Annie Get Your Gun (1950), starring Betty Hutton.
(check your local TV listings for times)
Faye Dunaway in Chinatown (1974), costume design by Anthea Sylbert