There are likenesses to Karen O here in Natalie's voice, with the shrieks and shouts that we've become fond of. Although, we'd still suggest that there are comparisons to Florence Welch to be made here ... it's just that Natalie, like Flo, is so free, so vacant, and so capable of using that booming voice to get her point well and truly across.
As we suggested, there is still a lot of distortion around this one and, whilst there is still going to be a minority that just can't deal with it, we don't see why this couldn't be the next big thing in the Indie/Rock industry ... it's wonderfully catchy, vigorously impulsive, absolutely infectious and, quite simply, fantastic.
It won't come as a shock then, that we feel that it is only a matter of time until Findlay become huge. We're, as ever, really looking forward to hearing more and, like with this in comparison to last time, awaiting even more progress in their incredible repertoire.