At the end of Before Sunset(2004), Jesse misses his plane and stays with Celine. Nine years after, they are not only still together but also have beautiful twin daughters. It opens with Jesse dropping his son, from his first wife, off at the airport. They are spending their summer somewhere in Greece at one of Jesse's writer friend's house. Once again, we spend a day of their life with them and once again we get plenty of long takes and beautiful conversations. As a matter of fact, I think I can make a strong case for the dinner table scene as not only the best scene of the whole trilogy but even one of the best ever. Delpy's bimbo herself would win half the battle. And then there is Natalia's story to cap it off. The only difference is this time, having spent nine years together, their whirlwind, perfect romance is through it's spring and is moving more towards its autumn. Conversations here are more about how the other one is suffocating them in this relationship. Sometimes it is just a cordial nudging, teasing while at one point it even transforms into full-blown storm.
It's obviously hard to see what many of us perceive as the ideal, almost ethereal romance going through these very earthly phases but, if truth be told, I like the fact that they dared to go there. And not only did they go there but they did it convincingly. Sure we can go on playing the blame game, which as a matter of fact both Celine and Jesse do plenty of, but what I liked about it is it exposes both the sides. On many occasions, I found myself leaning back and forth during their fight. And in the end we have a glimmer of hope that maybe, just maybe, if we get another film, they are still together. I really, really hope they are!
Rating(out of 5):
Everything later on is pretty generic. It sets up the whole film in first 5 minutes with most generic voice over narration. As a typical disaster film, it gets over emotional at the end trying to make a big statement. It has all the typical characters, follows certain pattern and even overthrows logic for making a spectacle of it all. But fortunately, despite all that, it isn’t a crappy film. Even if it is just a spectacle, it is a good spectacle. Actually, it is a good action film. Technology used is brilliant, visuals are stunning, fights are amazing and both Kaijus and Jaegers are designed with great care eye for the detail. There is almost no dull moment in the film and as the movie progresses, even though very predictable and unnecessarily emotional, fights only get bigger and bigger in scale. Even though none of the actors was bad, I don't think they had much to do here. I remember Rinko Kikuchi being the big deal at the time of its release. She is quite good as well but except for the fact that she was a woman who had something to do other than being a love interest, I didn't think there was anything different to her character than all the others in the movie. Overall, I think Pacific Rim was worth watching for its technical feat but on the narrative side, it definitely could have been much better.
Rating(out of 5):
Since it made its first screening in last year’s TIFF, Stories We Tell has been on my radar. I have tried to keep my distance but despite my best effort, I was exposed to certain facts about it prior to watching it. [SPOILER ALERT] I knew it revealed that Michael Polley is not her biological father. It even told who is her real father[SPOILER END]. So I thought I would be ready for it when it comes. To my utter surprise, it still sneaked up on me and even more surprisingly; this prior knowledge did not ruin the whole thing for me. What I did feel throughout the film but some sort of voyeuristic guilt, like watching something I am not supposed to and despite knowing that full well, can't take my eyes off because it is so fascinating. I still can’t believe she made a film out of something so personal and here is the whole family talking so candidly about it. Candidly! That’s a word of prime importance here as, despite everything, none of the family seems to be engaging much in the blame game. I am sure there are many families with similar stories out there but what impressed me the most about this documentary was the maturity with which this family handles the whole situation and how Polley presents it exploring every facet of the story.
This whole story is about perspectives. Like Rashomon(1950), this film is trying to tell us how the story changes according to who is telling the story? what are his affiliations and motives to be involved in this story? As Polley says towards end that to get the whole story, she felt it necessary to include everyone that played part in this story or was affected by it. It’s fascinating to watch every person associated with the story has his own version of it. At the end, it drags a bit longer than necessary but other than that I don't believe there are many films that made me think about so many things before.Rating(out of 5):