Oof, Costa-Gavras, how the mighty have fallen. Capital could have been any one of the recent Hollywood spate of disgustingly sympathetic portrayals of financial fat-cats, and its stabs a satire—from characters' confusion over the hedge fund schemes they themselves concoct to a coda that gives the equivalent of a "boys will be boys" justification with a sly wink—is so obviously rendered as to be neither funny nor piercing. Perhaps the issue is that for all the protagonist executive's jet-setting and skirt-chasing, we get little sense of his unchecked depravity, which only makes me more eager to see Scorsese's The Wolf of Wall Street.
My full review is up now at Spectrum Culture.