BREITBART is now the umbrella title under which Andrew Breitbart's other legacy publications will be presented, a sort of living epitaph to its originator's quest to 'get to the truth' of political life - like that's ever gonna happen, eh?
In lieu of the promised video of Obama's college daze, here's an excerpt from the first of many (one imagines) BREITBART polemic attempting to re-align You The People's understanding of what it is they elected into power in 2008 when all the world was suffering from the Crash.
So, what’s in the play? It truly is a love song to Alinsky. In the first few minutes of the play, Alinsky plays Moses – yes, the Biblical Moses – talking to God. The play glorifies Alinsky stealing food from restaurants and organizing others to do the same, explaining, “I saw it as a practical use of social ecology: you had members of the intellectual community, the hope of the future, eating regularly for six months, staying alive till they could make their contributions to society.”
In an introspective moment, Alinsky rips America: “My country … ‘tis of whatthehell / And justice up a tree … How much can you sell / What’s in it for me.” He grins about manipulating the Christian community to back his programs. He talks in glowing terms about engaging in Chicago politics with former Mayor Kelly. He rips the McCarthy committee, mocking, “Everyone was there, when you think back – Cotton Mather, Hester Prynn, Anne Hutchinson, Tom Paine, Tom Jefferson … Brandeis, Holmes … Gene Debs and the socialists … Huey Long … Imperial Wizards of all stripes … Father Coughlin and his money machine … Daffy Duck, Elmer Fudd … and a kicking chorus of sterilized reactionaries singing O Come, All Ye Faithful …”
And Alinsky talks about being the first occupier – shutting down the O’Hare Airport by occupying all the toilet stalls, using chewing gum to “tie up the city, stop all traffic, and the shopping, in the Loop, and let everyone at City Hall know attention must be paid, and maybe we should talk about it.” As Alinsky says, “Students of the world, unite! You have nothing to lose but your juicy fruit.”
The play finishes with Alinsky announcing he’d rather go to Hell than Heaven. Why? “More comfortable there. You see, all my life I’ve been with the Have-Nots: here you’re a Have-Not if you’re short of money, there you’re a Have-Not if you’re short of virtue. I’d be asking more questions, organizing them. They’re my kind of people – Hell would be Heaven for me.”
That’s The Love Song of Saul Alinsky. It’s radical leftist stuff, and it revels in its radical leftism.
And that’s Barack Obama, our president, on the poster.
This is who Barack Obama was. This was before Barack Obama ran for Congress in 2000—challenging former Black Panther Bobby L. Rush from the left in a daring but unsuccessful bid.
This was also the period just before Barack Obama served with Bill Ayers, from 1999 through 2002 on the board of the Woods Foundation. They gave capital to support the Midwest Academy, a leftist training institute steeped in the doctrines of -- you guessed it! -- Saul Alinsky, and whose alumni now dominate the Obama administration and its top political allies inside and out of Congress.
Stanley Kurtz, author of Radical-in-Chief, described the Midwest Academy as a "crypto-socialist organization.” Yet almost no one has heard of Midwest Academy, because the media does not want you to know that the president is a radical's radical whose presidency itself is a love song to a socialist "community organizer."
One suspects this is going to be a Dirty War for the 2012 presidency ... aren't they all?
Power corrupts?
Absolutely.