Taare Zameen Par(2007) is actor Aamir Khan’s first and so far only directorial effort. It is a story of 8 year old dyslexic kid Ishaan. Being dyslexic he is otherwise a very normal kid, even excels in arts but can never concentrate on his studies at school. His brother Yohan is a school genius who always tops at everything and constant comparison by everyone makes the matters only worse for Ishaan. Unfortunately, even his parents think of his genuine problem as an excuse of getting away from everything. They think of him as lazy kid who needs to be punished and straightened out so that he can follow the footsteps of his brother and be a good boy. After doing everything they can to no avail, they decide to send him to boarding school in Panchgani as an ultimate punishment. A visiting drawing teacher in his boarding school Ram Shankar Nikumbh, being dyslexic as a child himself, finally understands Ishaan’s predicament and tries to help him. But being punished constantly for something he just cannot help, being given an impression of an unwanted child especially by his dominating father, Ishaan has gone into his own shell that even Ram finds difficult to break, at least initially.
One of the reasons why I think of this as an essential watch is it stars a kid in the central role but it is as far away from being a kid’s movie as possible. It comments about something very serious like dyslexia and still is inherently about that boy or any other kid his age that can just as easily be going through something very similar, especially in a society like Indian society where any kid is considered good for nothing if he cannot get good marks in school. I cannot remember another Hindi film that even attempts doing so. Even the way parents, more specifically his father, are portrayed in it is worth looking into in it because unfortunately this is very common. Their intentions aren’t wrong and it is obvious that they love their kid but like many other dads, his father believes in being hard on him is for his own good. In 99 out of 100 cases, that might be true but he fails completely in recognizing this is that 1 rare case and keeps on hammering it on him until someone else points it out to him.
Ishaan Awasthy is played by a child actor Darsheel Safari who made his acting debut in this film. Amol Gupte, who also deserves a lot of credit for doing a fabulous job with dialog and screenplay of the film and is also credited as a creative director as he developed this idea initially, chose Darsheel after auditioning a lot of boys by asking them what will they do if they could bunk their school for one day? He chose Darsheel because he had just the right amount of mischief in his eyes to play this role and it is so easy to see that as he fits naturally in this role. Aamir Khan also plays the role of Ram Shankar Nikumbh with a great poignancy that this kind of role needs. Everyone in the rest of the cast plays their parts well; however one that stands out to me is Vipin Sharma playing Ishaan’s father. Once again it is an example of great casting as even his face tells a lot about how his character is supposed to be.
Let us talk a little about songs too. I want to do this for two reasons but first a little background. I have always been a supporter of songs in Hindi cinema because that is something so unique about it, something you don’t see in any other industry. And Taare Zameen Par is one of those films that actually uses them well to aid the actual story. However typically these songs are playback songs; that is they are sung by someone else and acted on the screen by someone else. The first of two reasons I went through all this trouble is TZP has only one such song, all the others, even though are fully fledged songs written exclusively for this film, are more like soundtracks we see in Hollywood and I think that is a good experiment.Obviously Taare Zameen Par is an emotional journey to get through but it succeeds in fighting a sweet middle by making it an entertaining experience as well. With beautiful script, amazing performances and taut direction, it also features first use of claymation in Indian films in the opening credits of the film to show Ishaan's imagination. It stays away from over-sensationalizing it or making something of a typical masala movie out of it by keeping the integrity, seriousness of the subject matter intact. And for that reason alone, I think it deserves to be an essential watch for any Bollywood enthusiast.
Rating(out of 5):
Previous Essentials:Satya(1998)Sholay(1975)Jaane Bhi Do Yaaron(1983)A Wednesday(2008)Do Bigha Zamin(1953)Sarfarosh(1999)