Battle of the (Literary Fiction) Sexes

By Andyross

Novelist Teddy Wayne wrote a great piece in  Salon  yesterday  talking about the issue of whether male or female writers have the advantage in the world of literary fiction.

As an agent, I think about this a lot. When I’m  looking at submissions  of  literary or “upmarket” commercial fiction, this question is always setting off sparks on the left side of my brain. Of course the big question for me is whether the book is sucking me into an immersive  trancelike vortex that makes me want to stay up all night and turn the pages. But I keep having these intrusive thoughts in my mind: “Who’s the audience? Will women relate to this? Do I really understand what women want anyway?”

So far most of the novels that I have taken on are by women authors and from the point of view of  women characters.  I am completely smitten by all of my novels. Haunted really. Obsessed even. And I know they   must appeal to women as well as men. How do I know? Because I ask  my wife Leslie to read them.  And if she stays up all night, quid erat demonstratum. (For the record, I have represented male authors as well and I am as smitten with them as with  my female authors.)

Pretty much every estimate and survey shows that  women are the audience for a vast majority of this kind of fiction. Actually, 60% of all books, fiction and non-fiction, are bought by women.  Men read relatively little fiction and overwhelmingly what they read is genre fiction, action, thrillers, and suspense. Men primarily read non-fiction – manly subjects like golf tips, right wing screeds, and “how to make ten minute meals”.  Ok. That’s a  cheap shot.

Jodi Picoult

Jennifer Weiner

Last year Jennifer Weiner and Jodi Picoult threw down their gage at the literary fiction establishment and  led an assault on the almost universal critical raves of  Jonathan Franzen’s Freedom. He was hailed as a genius and his work a masterpiece. Weiner and Picoult, whose books have sold millions, pointed out that fiction by women tends to be dismissed as “commercial” or “women’s” fiction. There was a great interview of them in The Huffington Post where they discussed this issue.