Babel

6/4/10 Babel represents the final entry in Alejandro Gonzalez Inarritu's so called trilogy. All three films are hyperlink films, meaning that they contain multiple characters who are linked with a plot that is weaved back and forth through time. Babel is his most successful and most ambitious work to date and it tells the story of how four seemingly unconnected groups of people are connected through one event and how each group struggles with a language barrier: a man trying to find aid for his injured wife in a foreign country, a Mexican woman trying to explain an awkward situation to border control, and a deaf Japanese girl struggling with a tragedy. The film is beautifully shot and well acted with Brad Pitt standing out in a talented cast. However, it is unsuccessful at pulling these four threads together and maintaining its theme. I felt I was watching four different albeit well-made stories, which were not at all related by plot nor theme. Also, and again the hyperlink movie has become tiresome and I think that although Inarritu has established himself with this genre, that he has done all he can with it. He recently debuted his new film at Cannes with great success and I look forward to that film with great interest. *** out of **** 2/2/17 While rewatching Babel, it is intriguing for awhile but goes on way too long with too many needless, protracted sequences and phony, pretentious dramatics and political correctness ultimately ruling the day while the audience is supposed to ooh and ahh about the quasi interconnectedness of the screenplay. ** out of ****