As the party goes on, people start scheming to replace the valuable painting with a copy. First are a couple of socialites who want to replace the painting with a poor copy to make Mrs. Rittenhouse look bad. Then there’s Mrs. Rittenhouse’s daughter Arabella (Lillian Roth), who has been dating aspiring artist John Parker (Hal Thompson). John and Arabella want to get married, but he doesn’t have enough money to support them. Arabella comes up with the idea of replacing the original painting with a very good copy he’s made so everyone at the party will see it and be impressed by his work. She convinces Ravelli and The Professor to help her switch the paintings. With all the plans to change the painting, mayhem ensues.
Animal Crackers is, without a doubt, an essential Marx Brothers movie. If I were to try to introduce someone to the Marx Brothers, Animal Crackers is the movie I would pick because it is such a perfect representation of the Marxes doing what they did best. Anarchy? Oh yeah, there’s plenty of anarchy. Margaret Dumont as the wealthy dowager? Yep, she’s there. Non-stop quips from Groucho? Not only does Groucho get plenty of great lines, he gets some of the most famous lines of his career like, “One morning I shot an elephant in my pajamas. How he got in my pajamas, I don’t know.” Harpo and Chico are great in it too, of course; even Zeppo has some pretty choice moments in it. As far as the songs go, “Hooray for Captain Spaulding” and “Hello, I Must be Going” are some of Groucho’s signature bits.
Unfortunately, Animal Crackers now only exists in a censored form. When the movie was re-released later in the 1930s, some of Groucho’s more risqué lines were cut to comply with the Hayes Code. If you watch carefully during “Hooray for Captain Spaulding,” there is a jump cut after the line, “He was the only white man to cover every acre,” where a line was omitted. No prints of the original version are known to exist. However, lots of Groucho’s risqué lines were left intact and can still be seen today.
If you’re a fan of the Marx Brothers, you’re not going to want to miss this brief technicolor clip of a rehearsal for the scene where Harpo makes his entrance. Not only is it a treat to see color footage of Marxes at work, it’s noteworthy for showing Harpo out of costume.