ALBUM REVIEW: TOY - Happy In The Hollow

TOY release their excellent new album 'Happy In the Hollow' today. You can listen to the album in full below via YouTube. If you appreciate the music, we encourage you to support the artists by buying their music digitally or physically online or from your local record shop.
To critics of the London band TOY (including myself) a few songs aside, there has often been something about their music that's never quite clicked into place. However after a four year absence, the group's fourth album 'Happy In The Hollow' presents a reinvigorated unit who have finally come into their own.

While previous records sometimes lacked a sense of immediacy, their fourth LP is still something of a slow burner, but one that reveals a flame that's brighter than ever. The opening 'Sequence One' has a cosmic military flavor providing the anchor as strange, alluring mists rise to the surface, and the ghostly 'Mistake A Stranger' entices with its gorgeous synth patterns, gradually opening out to blend the organic with the voltaic.

'Energy' begins with a burst of cacophonous krautrock that acts as a launching pad for its wild flight, before the shadowy ripples of 'Last Warmth Of The Day' offer a sound that blends Syd Barrett vibes and guitars reminiscent of Urge Overkill into a hazy brew of acid folk. 'The Willow' evokes a gentle, mysterious nighttime breeze with its delicate drum machines and dusky notes, very much at home with the nocturnal ambience of this record. Stone Roses basslines, Cramps-like surf guitar and a superb drum sound combine with electronic texture and shimmering waves of vocals on the sturdy groove of 'Jolt Awake', a metronomic piece that matches human music to machine music with brilliant effect. It's also a fine showcase of the album's inviting analog sound, achieved through the band becoming a self-sufficient unit and taking full control of the recording techniques.

'Mechanism' bounds along with 'Common People' keys, and dives into a melting, vapour trailed rush of a chorus before the fuzzy pads and sparse psychedelia of the melodic 'Strangulation Day' evoke 80s industrial pop tones. Then there's the stunning recent single 'You Make Me Forget Myself', which is probably the most beautiful thing the band have ever produced; a swooning melancholic daydream sung wonderfully by bassist Panda Barron, who also penned the song's lyrics. Drawing from a larger pallete of sounds and influences, the wondrous acoustic patterns of 'Charlie's House' intertwine wonderfully to create a music picture reminiscent of an attractive wintry snow scene.

This colourful, hazy and seductive album closes with more Stone Roses flavours on the deep, sumptuous 'Move Through The Dark', an uplifting lysergic epic that uplifts while bathing in a warming glow, and impresses with its effectively layered instrumentation.

Wider in scope, with stronger melodies and characterised by hugely efficient arrangements, Toy's sound is now sprawling outwards from their psychedelic ground to cover more territory. Firmly in their groove and sounding more confident, the band are now mastering their craft and have scored a winner with 'Happy In The Hollow'. 8/10

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