The vintage drum machines and analog keys on 'Satellite' bring to mind Stereolab with a twist of the same sort of Yorkshire kitsch found on Human League or Pulp records, while the classic 'Crawl In Love' is one of 2018's best tracks, bursting at the seams with squalling analog synths, a monster of a shoegazey riff, a pleasingly lo-fi drum sound, and a weird druggy atmosphere billowing from its groove like a dense smoke. In places, almost bringing to mind a more psychedelic, shoegazey version of Mansun. 'Tongue' has nagging Fall-like repetitions, off kilter vocals, and a brooding chorus, before the record journeys into the colourful lo-fi of 'Mutator'. The woozy synthpop daydream '8000 Molecules' is a nice contrast to 'Hypnotiser Keeps The Ball Rolling', an enjoyable helping of stoner Krautrock with raucous post-punk riffage.
'Holy Crow''s melodic and playful verses combine with scuzzy, distorted bass that gives the chorus a razor sharp edge, before weird, wonky electronics add to 'Watermelon''s forceful motorik rock n roll and enticing dual vocals from Liza Violet and Ryan Needham. The discordant meets the harmonious on the grungy space rock closer '(Like) Rainbow Juice', featuring a superb monolog from Brix as the indie icon makes her second appearance on the LP.
A fine mixture of post-punk electronica, and psychedelic shoegaze synthpop, with some excellent sonic qualities and the best songwriting yet from the duo. 8/10
You can listen to the album via YouTube below, and if you appreciate the music, go and buy yourself a copy.