But having formed back in 1982, and featuring members well into their 50s, how long can they keep up their reputation as British treasures? They can't do it again can they? Turns out they can; 'Living In Extraordinary Times' is even better than the previous two records, and one of this treasured group's finest albums.
With its big menacing drums, snarling bass, and heavy fuzz on the vocal, 'Hank' is opened outwards by those distinctive, powerful horns that are used brilliantly here to create an air of optimistic defiance, and a sense of rising up. It sets out the backdrop of these extraordinary times that the album's title refers to, times in which the most powerful country in the world is under the control of an arrogant, moronic billionaire, who already earned the title of Worst American President In History after just a few days in office. Clearly not a fantasy concept album, but a record about the state of this world we currently live in, and how we are treating each other as human beings. Once it all becomes clear, and you get to the core of this album, you realize how hard it can hit.This is especially true of the glorious 'Many Faces', where the message is spelt loud and clear: "there's only one human race, many faces, everybody belongs here".
Set to acoustic guitar and mariachi-like horns before building itself up into a true anthem of unity and hope, it's classic James. 28 years years after 'Come Home', we get its grown-up sequel 'Coming Home', where Tim Booth in the role of proud father, continues to document his life through song. An arms aloft singalong combines with sequenced guitar effects, adding new layers to its solid surface. The stunning grace of 'Leviathan' recalls the sparkling beauty of 2014's 'Moving On', rising into another sweet, majestic chorus. Across this record, there are fascinating, maverick rhythmic ideas, and a wealth of sounds that are interesting yet always accessible. Their gift for creating superb arrangements is something they bring to the fore on this album, along with some terrific songwriting. It's very evident on the thriving anger of 'Heads', where hectic percussion and a demented, disorientated vocal add to the madness. Make no mistake about it, this is music of the times. And it's taken a band approaching their fifth decade in music to deliver it.Then there's the little matter of Tim Booth's captivating vocals. Indeed, t
here has always been something mystifying about Booth's wondrous voice, which proves to be a most versatile instrument on the tranquil, ghostly 'Hope To Sleep'. The breezily melancholic 'Mask' is a song which comes topped with harmonious guitar loops and the most charming of analog synth sounds, providing an elevating penultimate moment. Brimming with fury, passion and surging energy, the closing opus 'What It's All About' is quite simply an astonishing and powerful piece of music. Post-punk moods mix with an utterly flawless arrangement, eventually reaching a false ending that leads into a short, tenderly sung, folk-flavoured outro. Even the four bonus tracks included on the deluxe edition are exemplary. Living proof that a bands best work isn't always from their younger days, and that age means experience, not being past your peak. Somehow, James just keep on hitting the targets and confounding expectations. 9/10