One of the many starlets (Lily Collins) on Howard Hughes's payroll lives by the stringent rules accorded by the aging, shadowy, and eccentric billionaire (Warren Beatty), which includes not dating your assigned driver and personal spy, in her case a straight-edged, business driven Christian (Alden Ehrenreich). Beatty's self-aggrandizing, first directorial effort in almost twenty years is a strange, tonally shifting, and shamefully bad screwball comedy that only conjures up memories of Scorsese's The Aviator, a vastly superior Hughes picture. Only Ehrenreich keeps the picture afloat.
* out of ****
Entertainment Magazine
One of the many starlets (Lily Collins) on Howard Hughes's payroll lives by the stringent rules accorded by the aging, shadowy, and eccentric billionaire (Warren Beatty), which includes not dating your assigned driver and personal spy, in her case a straight-edged, business driven Christian (Alden Ehrenreich). Beatty's self-aggrandizing, first directorial effort in almost twenty years is a strange, tonally shifting, and shamefully bad screwball comedy that only conjures up memories of Scorsese's The Aviator, a vastly superior Hughes picture. Only Ehrenreich keeps the picture afloat.
* out of ****
