Politics Magazine

North Tarrytown

Posted on the 20 October 2014 by Steveawiggins @stawiggins

Ichabod Crane has undergone many incarnations since Washington Irving conjured him. Not very sympathetically described in the original “Legend of Sleepy Hollow,” he was gangly and somewhat clumsy and full of self-importance. The story of which he is forever a part, however, has become iconic of American myth-making. A deep symbolism runs through the story of the headless horseman, and for those who’ve actually been to Tarrytown, the modern incarnation of Sleepy Hollow, there may be a disconnect between the urbanity of a town so near to New York City and a rustic school teacher in a rural setting. Still, there seems to be quite a bit of buzz about the current television series “Sleepy Hollow” that I decided to see for myself what was happening. The conceit of Ichabod Crane reawakening, in a kind of Rip Van Winkle twist, in the present day is engaging. He is now a professor at Oxford University turned patriot to the American cause, which brings him to the point of actually beheading the horseman in the first place. But this literate, witty, and moody retelling involves more than Irving. The Bible is pretty much central to the series, at least as far as I’ve seen.

The headless horseman is none other than Death, the final of the four horsemen of the apocalypse, according to holy writ. Although the characters all refer to the Apocalypse as “Revelations,” something that causes premature baldness in biblical scholars, the program places the town of Sleepy Hollow at the crux of the oncoming end of the world, with the other three horsemen to be summoned along the way (Pestilence or Conquest, War, and Famine, for those who are keeping score). Also, witches, hearkening back to Salem, have a prominent place in the narrative, and the forces of rational law seem to be at their collective wits’ end to make any sense of religion breaking into a secular world. Without the Bible’s final book, Sleepy Hollow would have no legs (as well as no head).

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In Tim Burton’s Sleepy Hollow, Ichabod Crane came through as a detective plotting science against superstition. At the end, however, even the most rational had to admit there was more going on than the science of the day could explain. That is part of the appeal of the Sleepy Hollow legend. No matter how strong the light we shed on them may be, our psyches reach out for the immaterial, the ghostly, the supernatural. We like to believe in sacred books and spells to protect from evil. Even the Twilight Zone episode “The Jungle” plays on how in even the most advanced cultures we still build skyscrapers with no thirteenth floor, as if our towers represent an unknown hubris for which we may be held accountable. Irrational? Perhaps. But Sleepy Hollow is not so somnolent these days when the Bible once again takes center stage and hoofbeats are heard once again in the night.


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