Gardening Magazine

It’s All in Your Vision for Your Photos

By Pattyhankins @PattyHankins

Not long ago I got a message on Facebook complimenting me on my photos and asking me what kind of camera I used. I responded with info about my cameras and made a comment about how in my opinion the camera is just a tool and what makes a photograph good is the vision of the photographer has for the image, and the post-processing work they do to make sure the final image expresses their vision. The person wrote back thanking me and saying they were looking for a camera that would do everything because they didn’t want to have to do any editing to their photos after they took them . . .

I’ve heard this attitude about it’s the camera not the photographer and the vision a few times lately – and realized I just have to say something about it

:-)


Not long ago, I was photographing water lilies at Longwood Gardens in Pennsylvania. There was a pair of spectacular white, pink and yellow Texas Shell Pink water lilies in bright sunlight. I could see what my final photo of the pair was going to look like even before I took my camera out of the bag. 

So I took several photos from different angles until I was sure I had captured what I wanted – and went on with my day.

When I got home, I downloaded my photos – and to put it mildly – what I saw on my screen wasn’t the image I had in my mind of how the photo would. Here’s what came straight out of my camera.

  
It’s All in Your Vision for Your Photos


After spending some time working in Lightroom and Photoshop I’ve got a photo that lets me share what I saw at the lily pool at Longwood Gardens that day.

It’s All in Your Vision for Your Photos

What I did in terms of editing was work through the workflow that I’ve developed that lets me take an image from what I capture in my camera to what I want to share with the world. For every photo I edit, some of the things I consider are

  • Do I need to crop the photo?
  • What do I need to do to clean up the image?
  • Is the contrast correct?
  • Are the colors what I want them to be?
  • Am I drawing my viewer’s eye to the most important part of the photo?

I’ve got my editing workflow to the point where I usually know what I need to do to my photos when I look at them straight out of the camera, but I know many photographers who when they see what the captured aren’t sure how to get from there to their vision for their photo. 

Bill and I will be teaching a workshop Creating a Workflow the Works for You on September 20-21. We’d love to have you join us for the workshop and let us help you make it easier to share your vision for your photos with others.


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