Politics Magazine

Final Final Frontier?

Posted on the 31 March 2015 by Steveawiggins @stawiggins

Over the past several months my wife and I have been making our way through the Stars. Not really Trekkies or Jediists, we both came of age during the early days of Star Trek and the dawning of the original Star Wars. Both franchises have continued to grow and have become cultural markers in their own rights. We have survived all the episodes of Star Wars I through III, and have made it, so far through Star Trek V: The Final Frontier. As we switched off the DVD player, we mused that we hadn’t seen this particular installment (with good reason) since we had originally watched it together shortly after it came out. It has its moments, but it just doesn’t measure up to what Kirk and Spock can usually muster. Watching it as a somewhat jaded critic of space movies, however, its religious elements simply couldn’t be ignored. After all, this is the episode where they find God, then shoot him in the face.

Opening with Sybok, the emotional Vulcan messiah, with a tacked-on identity as Spock’s brother, healing his first convert, the movie follows a typical kind of progression of a boy and his god. The town on Nimbus III (every Trinity watcher surely caught that reference) is named Paradise. Some wag painted the Miltonesque “Lost” after the town name on the gate through which Sybok rides like Jesus entering Jerusalem. Hijacking the Enterprise turns out to be remarkably easy, even with Spock, Bones, Uhura, Sulu, and Kirk in the shuttlecraft. And soon we’re off to the Great Barrier, which, as it turns out, is just a bunch of colored lights.

When God appears, he takes the shape of a typical Terran, white beard and everything. When Sybok questions him he briefly turns Vulcan, but we get the sense that God is whoever you want him to be. He is definitely masculine, and he has anger issues. His Eden is a barren rock, and he feels trapped and requires a starship to get about. We are forced to conclude that this is no deity after all and life is but a dream.

Despite its many disappointments, Star Trek V is a theologically aware movie. Its conclusion of science trumping the need for the divine leaves us with three old men around a campfire waiting to die. A trinity in its own right, but one where the only hymn to be mustered is “Row, Row, Row Your Boat.” And God lies dead at the center of the galaxy.

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