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Big Hero 6: Huggable Action

Posted on the 20 November 2014 by Haricharanpudipeddi @pudiharicharan

The apparent Japanese manga influence is because the movie is based on a Marvel comic of the same name which hopefully would be worth checking out to see how faithful the adaptation has been. The environs of this particular movie adaptation are beautifully crafted with the story based in San Fransokyo, an amalgamation of the tram-filled streets of SF with the glaring neon lights and momo bars of Tokyo. Produced by John Lasseter via Disney and directed by Don Hall and Chris Williams ‘Big Hero 6′ plays an interesting twist on a comic characters,  the primary of which here is programmed to be non violent.

Hiro (a coincident no doubt, voiced by Ryan Potter) is the central character, a 14 year old more interested in using his natural robot building and programming skills in winning bot fights than honing them in schools. His brother Tadashi who is a grad student in a school of research worries about his kid brother’s future and tries to get Hiro interested in his school. We meet other characters there such as Honey Lemon, Wasabi, Gogo and Fred who are into high tech research with Tadashi and a professor who inspires Hiro to rethink his future. The story line then delves into a predictable plot line of loss, cause for revenge and the eventual and inevitable rise for a bit. Hiro thinks up ways to get into the school and is skilled enough to do so when a tragedy puts him in a period of dormancy where his ‘mood swings’ get the better of him. His love for his brother and his brothers ideals poured into a project that helps him pulls himself out of his mourning makes up for the racy middle and ending acts.

This brings us to the ‘Stay Puft’ like balloony robot from the trailers, Baymax. Tadashi introduces Hiro to Baymax, his healthcare project, who has but one goal in life – the patient’s health care and their satisfaction as derived from it. Activated by simple catchphrases like (no, not ok google!) ‘Ow’ Baymax quite literally drags Hiro from his lethargy into what is initially a quest for revenge. But on the way Hiro finds out that there are noble things written into the code of a healthcare robot that humans can stand to use in their view of things as well. Baymax is meant to be endearing and anyone who does not fall for his spell must have a cold non-emoji oriented abacus for a CPU. His central philosophy of healing and doing so in a non violent way is one of the best take away messages I’ve encountered in Disney features this year. By himself and in combination with his partners Baymax uses thrusters to fly, rocket powered punches to defend more than attack and forms an indispensable companion to Hiro.

The director and screen writers Robert L Baird and Dan Gerson have adapted Man of Actions marvel characters in a slightly more accessible manner. When I was a kid, there were science fiction stories and animated shows that captured my interest but I cannot help but envy the current young audience who get such fun intro to concepts of robotics, engineering and science. Not that the movie is a ‘Introduction to Robotics’ lecture but its a neat showcase of said concepts. Blending a normal, heartfelt, ‘huggable’ to use the words of Baymax story into an action, animated avatar finds a successful vehicle in ‘Big Hero 6′. Bring the kid in you and treat yourself to Baymax’s satisfying health care!

Three and a half stars.

PostScript – An appeal to moviegoers – Please switch off your mobile phones and if you find yourself having to answer an urgent call take it out of the cinema. One of us in our party of two found ourselves in the awkward position of having to stand up and ask the person behind us to step outside with his phone. The plain arrogance of people who refuse to stop talking loudly or have a conversation on their phones inside a movie theater is astounding! On more than one occasion we’ve been looked upon by said sick parties as crazy people who’re taking away their basic right to interrupt a movie session by answering their phones. Take a stand – the next time the person next to you or in front of you or behind you in the cinema takes away from your enjoyment as a paying moviegoer – embarrass the crap out of them. The entitlement exhibited by this group of posterior orifices should not be allowed!


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